

American critics were generally more enthusiastic, but the film languished on the drive-in circuit, while MGM focused its resources on producing Hit Man, a blaxploitation-themed adaptation of the novel.įollowing its 1993 home video release, Get Carter garnered a cult following. It attracted mixed reviews, with critics begrudgingly appreciating the film's technical achievements while criticizing the complex plot, violence and amorality, in particular Carter's apparent lack of remorse at his actions. Get Carter turned a respectable profit upon its initial UK release. Cinematographer Wolfgang Suschitzky worked with Hodges to give scenes a naturalistic feel, drawing heavily on their backgrounds in documentary films.


Hodges, Klinger and Caine intended to create a more realistic portrayal of violence and criminal behaviour than had previously been seen in British films: Caine, who also served as an uncredited co-producer, incorporated aspects of criminal acquaintances into his characterisation of Carter, while Hodges conducted research into the criminal underworld of Newcastle (in particular the one-armed bandit murder). The production went from novel to finished film in eight months, with principal photography taking place from July to September of 1970 in and around Newcastle upon Tyne, Gateshead and County Durham. Producer Michael Klinger optioned Lewis' novel shortly after its publication and made a deal with the ailing Metro-Goldwyn-Mayer (MGM) to finance and release the film, making Get Carter the last project to be approved by the studio's Borehamwood division before its closure. Suspecting foul play, and with vengeance on his mind, he investigates and interrogates, regaining a feel for the city and its hardened-criminal element. Based on Ted Lewis' 1970 novel Jack's Return Home, the film follows the eponymous Jack Carter (Caine), a London gangster who returns to his hometown in North East England to learn about his brother's supposedly accidental death. Get Carter is a 1971 British crime film written and directed by Mike Hodges in his directorial debut and starring Michael Caine, Ian Hendry, John Osborne, Britt Ekland and Bryan Mosley.
